Carlos Romo–Melgar focuses his work on the integration of different visual disciplines and the translation of their tools. Published by Gestalten and Princeton Architectural Press, and in magazines such as Design Observer, Grafik, AIGA Eye on Design, Diseña UC, Manila Review and Fast Company. His commercial practice ranges between art direction, exhibition design and a variety of design outlets such as editorial, digital and architectural. His work has been exhibited in fairs such as the New York Art Book Fair, Offprint, Libros Mutantes or the 2018 edition of the Venice Biennale. He currently is senior lecturer in MA Graphic Media Design at London College of Communication.

Carlos Romo–Melgar focuses his work on the integration of different visual disciplines and the translation of their tools. Published by Gestalten and Princeton Architectural Press, and in magazines such as Design Observer, Grafik, AIGA Eye on Design, Diseña UC, Manila Review and Fast Company. His commercial practice ranges between art direction, exhibition design and a variety of design outlets such as editorial, digital and architectural. His work has been exhibited in fairs such as the New York Art Book Fair, Offprint, Libros Mutantes or the 2018 edition of the Venice Biennale. He currently is senior lecturer in MA Graphic Media Design at London College of Communication.

Carlos Romo–Melgar focuses his work on the integration of different visual disciplines and the translation of their tools. Published by Gestalten and Princeton Architectural Press, and in magazines such as Design Observer, Grafik, AIGA Eye on Design, Diseña UC, Manila Review and Fast Company. His commercial practice ranges between art direction, exhibition design and a variety of design outlets such as editorial, digital and architectural. His work has been exhibited in fairs such as the New York Art Book Fair, Offprint, Libros Mutantes or the 2018 edition of the Venice Biennale. He currently is senior lecturer in MA Graphic Media Design at London College of Communication.

Carlos Romo–Melgar focuses his work on the integration of different visual disciplines and the translation of their tools. Published by Gestalten and Princeton Architectural Press, and in magazines such as Design Observer, Grafik, AIGA Eye on Design, Diseña UC, Manila Review and Fast Company. His commercial practice ranges between art direction, exhibition design and a variety of design outlets such as editorial, digital and architectural. His work has been exhibited in fairs such as the New York Art Book Fair, Offprint, Libros Mutantes or the 2018 edition of the Venice Biennale. He currently is senior lecturer in MA Graphic Media Design at London College of Communication.

Carlos Romo–Melgar focuses his work on the integration of different visual disciplines and the translation of their tools. Published by Gestalten and Princeton Architectural Press, and in magazines such as Design Observer, Grafik, AIGA Eye on Design, Diseña UC, Manila Review and Fast Company. His commercial practice ranges between art direction, exhibition design and a variety of design outlets such as editorial, digital and architectural. His work has been exhibited in fairs such as the New York Art Book Fair, Offprint, Libros Mutantes or the 2018 edition of the Venice Biennale. He currently is senior lecturer in MA Graphic Media Design at London College of Communication.

This monograph, edited by Elaine Tam to accompany the same titled exhibition at White Cube, contains 18 painting by the artist, alongside archival imagery.

Penck was a versatile artist encompassing various disciplines such as painting, illustration, sculpture, printmaking, Super 8 filmmaking, music, and writing. His creative inspiration derived from a diverse array of topics, including philosophy, natural science, systems theory, science fiction, and technology.

This monograph, edited by Elaine Tam to accompany the same titled exhibition at White Cube, contains 18 painting by the artist, alongside archival imagery.

Penck was a versatile artist encompassing various disciplines such as painting, illustration, sculpture, printmaking, Super 8 filmmaking, music, and writing. His creative inspiration derived from a diverse array of topics, including philosophy, natural science, systems theory, science fiction, and technology.

This monograph, edited by Elaine Tam to accompany the same titled exhibition at White Cube, contains 18 painting by the artist, alongside archival imagery.

Penck was a versatile artist encompassing various disciplines such as painting, illustration, sculpture, printmaking, Super 8 filmmaking, music, and writing. His creative inspiration derived from a diverse array of topics, including philosophy, natural science, systems theory, science fiction, and technology.

This monograph, edited by Elaine Tam to accompany the same titled exhibition at White Cube, contains 18 painting by the artist, alongside archival imagery.

Penck was a versatile artist encompassing various disciplines such as painting, illustration, sculpture, printmaking, Super 8 filmmaking, music, and writing. His creative inspiration derived from a diverse array of topics, including philosophy, natural science, systems theory, science fiction, and technology.

This monograph, edited by Elaine Tam to accompany the same titled exhibition at White Cube, contains 18 painting by the artist, alongside archival imagery.

Penck was a versatile artist encompassing various disciplines such as painting, illustration, sculpture, printmaking, Super 8 filmmaking, music, and writing. His creative inspiration derived from a diverse array of topics, including philosophy, natural science, systems theory, science fiction, and technology.

The selection of paintings are reproduced at different scales emphasizing the gestural component of Penck's work and offering an idea of the large scale of many of his works. 

Details focus on recurrent glyphic motifs in the work of the artist, characteristic of the hybrid aesthetic that he called Standart, a combination of the words 'art' and 'standard'. Penck aimed to develop a series of transcultural signs that were very influenced by his interest in cybernetics and systems theory. 

The selection of paintings are reproduced at different scales emphasizing the gestural component of Penck's work and offering an idea of the large scale of many of his works. 

Details focus on recurrent glyphic motifs in the work of the artist, characteristic of the hybrid aesthetic that he called Standart, a combination of the words 'art' and 'standard'. Penck aimed to develop a series of transcultural signs that were very influenced by his interest in cybernetics and systems theory. 

The selection of paintings are reproduced at different scales emphasizing the gestural component of Penck's work and offering an idea of the large scale of many of his works. 

Details focus on recurrent glyphic motifs in the work of the artist, characteristic of the hybrid aesthetic that he called Standart, a combination of the words 'art' and 'standard'. Penck aimed to develop a series of transcultural signs that were very influenced by his interest in cybernetics and systems theory. 

The selection of paintings are reproduced at different scales emphasizing the gestural component of Penck's work and offering an idea of the large scale of many of his works. 

Details focus on recurrent glyphic motifs in the work of the artist, characteristic of the hybrid aesthetic that he called Standart, a combination of the words 'art' and 'standard'. Penck aimed to develop a series of transcultural signs that were very influenced by his interest in cybernetics and systems theory. 

The selection of paintings are reproduced at different scales emphasizing the gestural component of Penck's work and offering an idea of the large scale of many of his works. 

Details focus on recurrent glyphic motifs in the work of the artist, characteristic of the hybrid aesthetic that he called Standart, a combination of the words 'art' and 'standard'. Penck aimed to develop a series of transcultural signs that were very influenced by his interest in cybernetics and systems theory. 

The book also showcases a collection of stills from a rare super 8 film developed by Penck in collaboration with Wolfgang Opitz.

The book also showcases a collection of stills from a rare super 8 film developed by Penck in collaboration with Wolfgang Opitz.

The book also showcases a collection of stills from a rare super 8 film developed by Penck in collaboration with Wolfgang Opitz.

The book also showcases a collection of stills from a rare super 8 film developed by Penck in collaboration with Wolfgang Opitz.

The book also showcases a collection of stills from a rare super 8 film developed by Penck in collaboration with Wolfgang Opitz.